Fiction, Musings

Pamela’s Patina

Seeing that she was quiet, he left the room. He was upset and needed to calm down; upset and disappointed that his granddaughter could lie to his face like this.

True to his expectations, her sadness had continued. Wednesday passed – the same. When on Thursday, she was still depressed, he became alarmed. Brooding had become her god over the past three days and a jealous one at that. To serve him well, she had embarked on rigorous fasting, barely touching her food and pushing it away. As such, she was fast losing body weight. The irony of it was that it would have been a most welcome development, had circumstances been different. With each passing day, he became more and more afraid for the health of his frail grandchild.

“Is it so difficult for you to confide in me?” he asked again that Thursday afternoon.

She had some notebooks and a Mathematics textbook on the table. She had intended to finish her assignments but brooding got the better of her. She remained there, seated, looking at the books and into space at the same time.

“Pamela, what’s eating you?”

She got up and went to stand by her favourite spot – the window overlooking the small garden, the tears streaming down her face. At once, he followed suit.

“I don’t deserve all this agony, Pamela.” He said, breaking the silence.

“What agony?” asked a surprised Pamela, quickly wiping off her tears with the back of her palms. She had not heard him approach.

“The agony of watching my grandchild, fight a losing battle with an unseen opponent, and not being able to help her. It breaks my heart, Pamela. It really does.

“What losing battle? What opponent? Oh! I wish my problem could be solved by the good use of English Grammar.” She turned to look at him. “I love you, grandpa and I care very much about you. I do not want to hurt your feelings or see you sad and heartbroken” she was beginning to feel guilty. “And that’s precisely why I’m trying to shield you from the knowledge of my problem.”

“But you are making a mess of it” he retorted “You’re not hiding it well as you claim. If that was your intention, then ab initio, you should have acted like your normal self, as if all was well. Then I would have gone about my business, deceived into thinking that nothing was wrong in the first place” he said angrily. Then his tone became gentler

“But that would have been impossible, Pamela. You’re a bad actress…” She smiled for the first time in days.

“And I’m your grandfather. I know you and I know you very well because I love you very much, ok.”

He put his arms round her. “Your heart is heavy. At your service  is someone who cares, who is ready to listen. Besides, he’s not just someone, he’s family. I tell you, it’s not every time that one is lucky enough to find a listening ear ….”

“‘Class’” Pamela said quietly, dry-eyed; there were no more tears to shed.

“Class?” he repeated, surprised at what the word class had to do with the problem.

“Yes, class. I was as puzzled as you now are when I first heard it.” She proceeded to explain “One needs to be from the upper class to qualify for the contest and one must be able to prove it.” She stopped. It was her turn to be surprised as he slightly threw back his head and exploded into raucous laughter.

{Excerp from Miss Turris by Amaka Anozie}

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I have given this post a ‘forced’ title. Patina is not exactly the word to describe Pamela’s attitude. But it’s the new world I learned today thanks to wordpress and Merriam – Webster dictionary. I find it very interesting that ‘patina’ comes from ‘paten’. The paten – a small but very important tray – is at the highest point of the Holy Mass in the Catholic Church. There, the bread offered is transformed totally into the body of Christ. And we partake of it. We do so to feed our souls, hoping in the eternal life while living fully this present one.

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ART, Musings

Da Vinci’s ‘Salvator Mundi’

Yesterday saw a world record break for any work of art sold at auction. The salvator mundi was sold for $450.3m, including auction house premium, by an anonymous buyer in the auction at Christie’s in New York. “Salvator Mundi” (“Savior of the World”) is one of fewer than 20 known paintings by da Vinci, and the only one in private hands.

Though I can hold a good conversation about beauty and art, I know little about its sale and purchase. So I reserve my comments about the heartburn that just the mention of the purchase sum gives to me.

But there’s been and still are tons of hype about it. Lots of hype about the painting, the painter, and especially about the 500 years of history behind it. The salvator mundi has gone on display in Hong Kong, London, San Francisco and New York. Thousands of people have gone to see it before its final sale.

If 500 years’ worth of history can cause this, how much more should 2000 years’ worth of history do? I, who believe not just in the painter, nor in the authenticity of the painting BUT in the figure – CHRIST painted by Da Vinci, what is my reaction? Does my belief lead me to act thus? How does it affect my day to day life?

Add to this, the lot of talk and analysis to ascertain if it’s an authentic Leonardo’s.

Salvator Mundi Leonardo Da Vinci

Leonardo Da Vinci’s Salvator mundi

Modestini, who restored the salvator mundi commented that ‘I shudder to think what might have been used’ in the grotesque repaintings of the painting. The varnish was “sticky and uneven” with crude touch-ups, quite possibly the work of “the owner or a local amateur”.

She didn’t stop at shudder though. Modestini then professionally restored the Salvator Mundi. Despite some damage to the face, the flesh tones fortunately retain their layer structure. She stabilised the picture, removed most of the later overpaint and fillings, and made cosmetic changes to bring it back closer to Leonardo’s original.

O salvator mundi, this is one more wakeup call from you. Your silent and gentle honk has pierced my indifference. I’ve hidden your face behind countless ‘what would they say? Why should I bother them by revealing You?’. I’ve repainted your face by my many small inconsistencies, so much so that recognition of You is almost impossible.

This is my conclusion, my resolution;

I’ll restore your image that I carry within me, o salvator mundi. I’ll do a more meticulous work than what Modestini has done to your painting. So that the others can see and appreciate the real You. And I’ll take you beyond Hong Kong and New York. I’ll take you everywhere so that everyone can see you and be conquered by your charm and your grace. And I won’t look too far – I’ll start with my friends and family.

 

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